Oregonian Review of "Sense of Direction" (Kyle O'Brien)
by: Kyle
O'Brien
On first listen, you might think that "Sense of
Direction," the debut disc from the Farnell Newton
Marcus Reynolds Quintet, is a remastered recording
from the post-bop 1960s. Trumpeter Newton and
pianist-composer Reynolds probably wouldn't mind the
comparison.
But while the sound may court earlier generations,
it's not derivative, sounding both retro and
contemporary. The musicianship is superb, and the
original compositions are on par with what's
happening at the national level.
Each tune is a mini-journey in jazz, ebbing and
flowing in a tide of chordal and rhythmic activity.
It kicks off with "The Two Larrys," a double horn
melody with Newton and saxophonist Tim Wilcox sharing
an angular melody that flows across the ear with a
sense of relaxed adventure. Newton's trumpet is fluid
and mellifluous, and the restrained backing by
Reynolds, drummer Jason Brown and bassist Ameen
Saleem gives the two soloists plenty of room to
explore.
The disc travels through a roving jazz waltz, a
multi-tempo, upbeat bopper, a slinky-slow swinger and
a modal groover, "The Bluest Eyes," which deftly
pulls and releases tension. Reynolds is a fine
pianist with an ear for avant-garde-leaning melodic
sensibilities. His compositions have a sense of
exploration.
While the textures and musicianship are at high
levels, there is a sense of too much restraint. A
touch more zing would bring a greater sense of
emotion to the disc.
The album, which recalls such artists as Herbie
Hancock, Horace Silver and Wayne Shorter, marks
locals Newton and Reynolds as a rising force.
Artist: Farnell Newton Marcus Reynolds Quintet Grade:
B+ Label: Diatic Records